Movie Review: The Deliverance
“The Deliverance” had the potential to shine as a poignant domestic drama, tackling the pressing issues of addiction, poverty, and racism. Director Lee Daniels, known for his raw and powerful storytelling in films like “Precious,” is well-versed in these themes. His ability to portray complex characters and fraught relationships has been evident in works such as “The Paperboy” and “The United States vs. Billie Holiday.” With a stellar cast featuring Andra Day, Glenn Close, Aunjanue Ellis-Taylor, and Oscar-winner Mo’Nique, expectations were high.
However, the film falters by attempting to merge this rich character-driven narrative with a conventional horror storyline centered on demonic possession. This clash of genres results in a disjointed experience, where the film struggles to maintain its focus. Once “The Deliverance” shifts into full horror mode, it resorts to clichéd scares—think children defying gravity, unsettling dialogue from innocent mouths, and bodies contorting in grotesque ways.
The true strength of “The Deliverance” lies in Day’s portrayal of Ebony, a single mother grappling with her own metaphorical demons rather than the supernatural ones. The film draws inspiration from the real-life case of Latoya Ammons, who experienced bizarre occurrences in her Indiana home in 2011. In this adaptation, the narrative is relocated to a struggling household in Pittsburgh, where Ebony juggles the challenges of raising three children—teenagers Nate (Caleb McLaughlin) and Shante (Demi Singleton), along with their younger brother Andre (Anthony B. Jenkins)—while caring for her cancer-stricken mother, played by Close.
Day’s performance is compelling, showcasing a raw energy that captures the audience’s attention. Her character’s struggle with alcoholism adds layers to her already overwhelming responsibilities. Close delivers a striking performance as Alberta, portraying a brash, chain-smoking matriarch that amplifies the tension within the household.
Mo’Nique enters the scene as a Child Protective Services agent investigating the family’s situation, bringing a sense of urgency to the narrative. A pivotal moment occurs when Ebony reacts violently to her youngest child’s defiance at the dinner table, highlighting the underlying issues that warrant concern. Mo’Nique’s portrayal is marked by a blend of world-weariness and genuine compassion, while Ellis-Taylor offers a comforting presence as a spiritual guide who may hold the key to the family’s salvation.
Unfortunately, the film begins to lose its grip once the supernatural elements come into play. While initially, the ambiguity surrounding Ebony’s state of mind creates intrigue, the introduction of a demon preying on her family feels overly familiar and safe. The unsettling imagery and dialogue become predictable, detracting from the film’s earlier emotional depth.
Daniels is known for his willingness to explore the lurid and embrace melodrama, making it frustrating that “The Deliverance” veers into safer territory. The initial complexity of Ebony’s unreliable perspective gives way to a more straightforward horror narrative, losing the nuance that made the beginning so engaging.
In conclusion, while “The Deliverance” starts strong with its exploration of real-world issues and character dynamics, it ultimately stumbles in its execution of horror. The film’s potential is overshadowed by its decision to conform to genre conventions, leaving viewers yearning for the deeper, more impactful story that could have been.